夏日友晴天 正片

分类：动漫 喜剧,动画,奇幻,冒险,动漫片地区：美国年份：2021

主演：雅各布·特伦布莱,杰克·迪伦·格雷泽,艾玛·伯曼,萨维里奥·雷蒙多,玛娅·鲁道夫,萨莎·拜伦·科恩..

导演：埃里康·卡萨罗萨

更新：2023-06-17 20:44

简介：故事发生在意大利里维埃拉，讲述了一个小男孩卢卡（雅各布·特..故事发生在意大利里维埃拉，讲述了一个小男孩卢卡（雅各布·特伦布莱配音）在充满冰激凌、意大利面香气和摩托车骑行的夏天，经历的难忘成长之旅。卢卡与他新结交的好友（杰克·迪伦·格雷泽配音）一起经历了这些冒险，但所有的乐趣都受到了一个深藏的秘密的威胁：他是一个来自海底世界的海怪。看到很多人在讨论Luca和Alberto之间是不是单纯友谊，没错，本片主旨就是歌颂纯粹的友谊。导演兼编剧Enrico Casarosa来自意大利，你可能看过他的奥斯卡提名短片《月神》：月神 (2011)9.02011 / 美国 / 动画 短片 奇幻 / 埃里康·卡萨罗萨 / 克丽斯塔·谢富勒 托尼·弗希勒导演的爸爸和爷爷关系不好，于是便有了《月神》。本片小Luca的原型也是童年的Enrico自己，他在港口城市热那亚Genoa出生长大，夏天会去五渔村Cinque Terre度假，从高高的石头上跳入海里是日常。片中的小镇就取材自五渔村，特别是具有代表性的渔村韦尔纳扎（Vernazza），风景如画，它们的美像被时间定格。主打浓浓的1950s~1960s夏日意大利风情海滨小镇小镇怀旧风，《Luca》是导演寄给家乡与童年的一封情书。credit: Enrico Casarosa 本片制作周期五年，2016年主创就组了第一支小队去热那亚取景搜集素材，游览了五渔村及周边小镇，从地形植被风貌到饮食特色到海水的颜色海浪的声音都进行了真实记录，力求做到一个词‘“specific”。片中的虚拟小镇Portorosso是个集大成者，据说一街一景一物几乎都能在当地找到原型，比如剧照里那个石洞：下图就是导演和他好友Alberto（credit: Pixar）从剧照就可以看出本片色彩鲜艳，有手绘风格，传统2D动画画风，某些场景可能有宫崎骏的味道。导演是看着宫崎骏的《未来少年柯南》（1978年）长大的，是宫崎骏粉丝深受其影响，他们还见过面。宫崎骏为了《三千里寻母记》（1976年）还曾来到导演家乡热那亚取景（主角马可住在热那亚的港口），可以说很有缘了。 动画监督 Michael Venturini在采访中说为了寻找设计灵感他们把导演小时候看的动画都看了，还参考了擅长制作定格动画的阿德曼动画和莱卡。 团队致力于简化台词，尽量用画面和人物表情、动作传递信息。本片部分灵感来自宫崎骏1992年作品《红猪/紅の豚/Porco Rosso》（背景是1920s的意大利），作为致敬，原计划将Portorosso作为Luca的姓，但最后是把它作为小镇的名字，对应五渔村里的Monterosso。（Luca最后的姓是Paguro，意大利语意为寄居蟹。Alberto姓Scorfano，意大利语意为scorpionfish， 鲉鱼）Tino小岛：Alberto居住小岛的原型Luca的角色设定是13岁（2021年刚好导演的女儿也是13岁），眼睛很大，充满了对世界的好奇。他每天主要做的事就是牧山羊鱼goatfish，直到遇见14岁的Alberto。Alberto独立又自由奔放，和Luca性格完全相反，原型就是导演童年好友Alberto。导演十一二岁认识Alberto，他是1971年生人，他们认识是在80年代，但要注意的是本片设定的背景是5、60年代，因为导演太爱那个意大利黄金年代的电影和音乐了，他从手绘、定格动画以及意大利电影人例如Federico Fellini（费里尼）的作品中汲取了很多灵感。费里尼1953年的带自传性质的《浪荡儿》讲的是5个意大利小镇青年成长中的酸与甜，主角Moraldo渴望逃离家乡去往大城市，最后抛下一切独自乘火车不告而别，《Luca》结尾致敬了此片，并使用了相同的火车设计。而片中Luca炫丽诡谲的梦境和幻想，灵感则来自1963年的《八部半 8½》，是导演最爱的电影之一。为了贴近那个年代，影片重现了当时的建筑风格、食物、字体、广场海报《罗马假日》、《大路 La strada》、《海底两万里》）、交通工具等要素。片中的Vespa设计参照自1959年款式，导演那会儿真的有个scooter，两人会在海岸边骑来骑去。为了在片中使用Vespa还联系Vespa的公司取得了授权。某场景中Alberto在自制小车上贴了张真人大头照，还学他表情，他就是1961年《意大利氏离婚》里的马塞洛·马斯楚安尼 Marcello Mastroianni。他的女儿Chiara Mastroianni在法语版《Luca》中给Luca妈妈Daniela配音。浪荡儿 I Vitelloni（1953，Federico Fellini作品）广场海报正如电影里体现的，Alberto自幼缺少家庭关爱，他放荡不羁，而小时候的导演被家人保护着，有些胆小害羞，截然不同的性格让他们互相吸引。Alberto是个小麻烦制造机，和他在一块会陷入各种麻烦，但他会逼自己一把，走出舒适区去试探未知，就像片中离开水面，翻越悬崖。My best friend Alberto was a bit of a troublemaker,” the director explained during an early press preview of the film. “I was very timid, I had a bit of a sheltered life until I met him. I met him around age 12 and he was wild and free to do what he wanted, his family wasn’t really supervising him. We couldn’t be more different and that is really the kind of friendship where opposites attract. We’re also a little bit of losers and outsiders, so it also felt right, the idea of being sea monsters as the way that we felt a little bit different and not cool as kids,” he shared. “So Alberto got me out of my comfort zone and pushed me off many cliffs, metaphorically… In fact, I might not be standing here if I hadn’t learned to chase my dreams from him. So that is the kind of friendship I wanted to talk about, those kinds of deep friendships, important friendships that make us grow up, change us, that make us find ourselves. That is at the heart of Luca. That is at the heart of Luca，本片的核心，或者说最大的主题，就是友谊，一个内向小孩和一个外向小孩之间的友谊，他们在成长过程中认识自我并互相成就。片中的Sea monsters源自意大利古老的地方传说和民谣。五渔村有着丰富的传说，而大部分传说是渔民编出来吓唬别人的，好让别人远离自己的绝密捕鱼点。导演小时候很喜欢那些画着海怪的老地图，好奇着会不会真有海怪化成人形隐匿在普通人中。影片中的海怪造型参考了16世纪的文艺复兴地图，以及意大利到处都有的海怪雕塑，设计方向是“not creepy or scary”，导演不想吓到观众。海怪在海里的动作设计参考了海鬣蜥。角色监督Beth Albright透露海怪离开水的变形部分参考了X战警电影里的魔形女，他们都有鳞片，但这并不够因为魔形女的变身偏向性感不是团队想要的。也有参考魔女宅急便里的黑猫吉吉。为了达到自然流畅的变形效果还研发了专门的技术。小知识，Luca身上共有3436片鳞片。credit: Pixar导演原话说海怪是“a metaphor for feeling different ”，当时他和Alberto两人当时并不受欢迎，不太合群也不酷，就用海怪来喻指“nerds”、“outsiders”、“others”、“misfits”、“underdogs”等等，主要突出一个不同吧，不合群的，格格不入的，古怪的，被排斥的，可以有多方位解读，片中的小女孩Giulia虽然不是海怪，但她也是一个不被看好的“异类”。Giulia父亲是残障人士，属于在生活中容易遭受歧视的少数群体。Sea monsters也可看作是偏见、刻板印象，毕竟它只是人类口中对未知的称谓，在Sea monsters眼中，人类也不过是善于杀戮的Land monsters。We hope that sea monster could be a metaphor for all sorts of feeling different – like being a teen or pre-teen. That moment where you feel odd. There are all sorts of ways of feeling different. It felt like a wonderful way to talk about that and having to accept ourselves first, whatever way we feel different. Our main theme is actually friendship, but a sense of self-acceptance is a huge part of this. 除了歌颂友谊本片另一主题是self-acceptance，认识自我，身份认同，自我包容，包容自己的不同。每个人都会有不同于他人的属性，有的大方坦荡，展露锋芒，有的选择隐藏，甚至视为缺陷。这个不同真的很宽泛，包括但不单指性。Luca和Alberto之间的关系和Sea monsters的metaphor是两个互相独立的话题，不要一概而论，前者导演的初衷是纯粹的友情，后者是借海怪来表现童年的挫败感、不受欢迎。观众看海怪可能会代入自己的经历，有不同的看法和解读，这绝对是开放性的，海怪不是特指某群体或个人，它不单一也不明确，它可以是每个人。比如有人问导演是不是和难民、移民或人种有关：“I love the metaphor of the sea monster, that it really opened it up to all these other readings,” says Casarosa. “I’ve had people ask me, is it a refugee story or immigrant story, or about race? We were aware making the movie that this was a wonderful journey of owning your own identity, and coming out with it – whichever that identity is. I thought that everyone would bring their own identity to it.”“My experience was about me and my best friend growing up feeling like losers,” he says. “But it’s great that people have their own experiences and that this speaks to them.”针对预告片放出后网上的一些言论和猜测，媒体采访时问导演本片立意是否与queer有关，导演反复提及他拍的只是单纯的友谊，还未步入青春期的还没有男女情愫的小孩之间纯粹又强大的友谊。（他回复推网友他和Alberto都是直男。导演已婚有一女，今年13岁。）“I was really keen to talk about a friendship before girlfriends and boyfriends come in to complicate things,” Enrico revealed when asked to clarify the friendship between the two boys. “We really said, ‘Well, this is that moment before those things come in to complicate the picture.’ So, that was really never our plan and this was about their friendship in that pre-puberty world.”被问到LGBT+方面的解读，导演说： I love the idea that [the LGBT+ allegory] can be brought in and projected. I think the best movies leave some room for a read into it. Where I keep on thinking that the read into all the otherness and difference feels right is that [Luca] is a story about, at a certain point, like, “Here I am. Let the chips fall where they may.” And so that is a coming out moment. We kept on saying, “This is not about people accepting them.” Some people will accept and some people won’t. But it’s more about, “I’m going to fly my flag and I don’t care, and here’s me.” That was such an important part of this coming of age. And the friendship is such a big part of it, too, because they are the people that are around you and see you for who you are, and they don’t care [about] whatever differences [you have]. So we love the line in the movie, “Am I too much?” No, you’re cool. I love that whatever possible way we feel gets brought to this movie. So yeah, it wasn’t exactly how I started because my story was a little different, but I love that there’s that read into it.. “This is not about people accepting them”对应片中的两句台词：Some people, they'll never accept him./ But someone will. 意思就是说先别管他人是否接受，而是要先自我身份认同，接受自我。在追寻自我时我们可能会羞于展露，而友情的可贵之处在于，他们看到真实的我们，他们的包容帮助我们建立自信，接受真实的自我。这在成长中是如此重要。导演回复网友截图导演自认为异性恋，网友说本片多样性、包容性、身份认同的主题的触动了 LGBT+ 群体的心，他很欣慰。结尾较理想化，人类很顺利地接受了海怪们，几乎没什么阻碍，或许主创是想把侧重点放在self-acceptance上。（这点看到吐槽较多，的确是没怎么描绘，替火车上的Luca捏一把汗）个人觉得村霸Ercole的角色比较工具化，他的每次出现都只是在Luca身边制造矛盾。刚开始我以为他会是长得像鲇鱼的海怪，贼喊捉贼，只有他大热天把羊毛衫披肩上还怕它沾水，但他有碰到水还没事，以为是他掌握了某种不变形的方法，所以才那么狂……事实是想多了。其实Luca早期的剧本构思比较像《伴我同行》，Cicco原本是Luca他们的朋友，是一只河豚形海怪，后把他作为Ercole的跟班。Luca和Alberto还尝试通过魔法信物变成普通人，结果没有成功Alberto反而变成了 kraken（北海巨妖），Luca为了保护他与人类抗争。但最终还是选择别搞得太复杂，把焦点放在两主角上。导演Enrico和好友Alberto（credit: Pixar）整部片都围绕着友情，没有宏大的世界观，皮克斯这次格局小了？人出生便伴随亲情，爱情是永恒的追求，友情似乎不那么被在乎。它来得比爱情早，总是没有明确的结束点，可能在无意中被悄悄放下。 但它同样需要经营，它也同样能lifechanging，也值得用一部片讲述。高山流水，你真的有称得上知音的朋友吗？有身边的朋友互相肯定吗？童年好友还有联系吗？是否偶尔记起那些时光？即便分离只剩回忆，每次记起，是不灭的光热又一次传输给你力量。我愿此生被友谊照亮。现实中的Alberto加入了意大利空军，是一名战斗机飞行员，还是上校头衔的。影片的制作他有一定参与，最后的结局敲定也有他的意见成分。离别总是在所难免，火车戏对应现实，蓝色中线象征着Luca暂别海洋去人类世界生活，就像导演20多岁离开意大利去追寻理想。有网友觉得Luca和Call my by you name有相似点，纯属巧合，仅限于巧合。看看导演的回复：Casarosa said that the characters were just friends and that the parallels to Guadagnino's film were only a coincidence, stating: "I love Luca's movies and he's such a talent, but it truly goes without saying that we really willfully went for a pre-pubescent story ... This is all about platonic friendships.有说地点撞人家小说的，并没有，一个是Cinque Terre，一个是Bordighera（电影主要拍摄地则为Crema），中间隔着一个热那亚海湾呢，里维埃拉不是具体地名是riviera的音译，泛指海滨度假胜地。有说主角发型一样的，去搜搜导演本人图片吧，人家就那发型…… 既然导演回答了是巧合，还是别纠结太多。看看其他采访： "We were a little bit surprised. As much as Luca Guadagnino is quite awesome -- I love his movies," director Enrico Casarosa tells ET with a laugh. "We always looked at this very much in that time pre-boyfriends and girlfriends and pre-romance." 制作过程中有人提议：做成三角恋吧，导演依旧坚持自己的立场，这次我们只谈友谊： "And we had to actually defend that, because in the middle of this journey, people were like, 'Well, just let it be a true triangle.' But we just wanted it to be about friendship," Casarosa says. "I feel like we have wonderful movies coming up that deal a little bit more with after puberty, where there is the puppy love and the romantic side. It wasn't something that was part of the DNA of this. I wanted it really to be a little more in that earlier stage of trying to find yourself. But I do appreciate that people can read into any kind of oddness and outsiderness of these characters, that I hope there's something universal for everyone to take from it." 为什么主角叫Luca： When asked why he chose Luca as the film's title, Casarosa said that he based the film on his friendship with his childhood friend, Alberto, but he couldn't just use in his own name (Enrico), and chose "Luca" because it's simple, and "is pronounced well in America too."导演在片中客串了三个角色，一个是大喊“what's wrong with you, stupido?”的渔民（后被Alberto效仿），一个是海边吹口哨的钓鱼大爷，一个是小镇上打牌的大爷（他赢了，边说“Scopa!”边把牌扔桌上）。 还有开头Luca追逃跑的鱼时，提到一条叫Enrico的鱼要么死了要么在游览世界，Enrico是导演名字啦哈哈。以后会有删减情节放出，比如Alberto父亲在某晚上回来了，但又离开了。Bruno不是Alberto父亲的名字，而是代表内心的不安全感，“ It’s just the name Alberto gave to the voice of his own insecurities. ”有时候也能代表理智，“ sometimes the voice of reason. ”理智告诉自己从高处跳入海里有风险，但也可以选择大喊一声“ Silenzio Bruno! ”纵身一跃。导演跳海（危险动作请勿模仿）有什么问题可以去问导演，他在某社交网站上很活跃，和网友各种互动。以上信息参考了各路导演采访，搜关键词能找到原文。有些表达可能不够顺，希望对你有帮助。讲错请指出。详情